Former Pennsylvania Senator Arlen Specter, who just a few years ago won a personal battle with cancer, was seen performing stand-up comedy at an open mic night in Philadelphia’s Helium comedy club. Specter, who is 81, was on stage for roughly eight minutes and had the audience rolling.

“That’s probably the biggest applause I’ll get tonight,” joked Specter as he was introduced on stage.

“I’ve been in comedy now for thirty years,” said Specter, who worked in congress for three decades. “The only difference is it’s not stand-up. We all have comfortable chairs. It costs about $27 million to win a seat in  the U.S. Senate so when you win one you like to sit down.”

Specter, who was a Republican for many years before recently becoming a Democrat, seemed very comfortable on stage making fun of D.C. politicians. Specter went on to tell some hilarious anecdotes about former President Bill Clinton and Viagra, as well as former Pennsylvania Governor Ed Rendell.

Check out Specters awesome performance below!

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This time Laugh For Love, a group that unites comedians for causes, is going to give 100% of all ticket sales, donations and sponsorship to The L.A. Mission. Joey Medina (Latin Kings of Comedy), Chris Spencer ( LOL Comedy: Showtime), Jay Malone (LOL Comedy: Showtime) and Chris D’elia (Glory Daze) will perform on February 17 at the famous L.A. Comedy Store to raise awareness for this heart-felt cause. Ticket price ranges from $20-$30. For more information go to www.LaughforLove.org

Attendees of the event will have a chance to catch a sneak peak of a new single camera show “Venice Heat,” starring Shirley  Jones (The Partridge Family), directed by Scott White (Without A Trace, CSI NY).

“If Baywatch was having an affair with Reno 911, their love child would be Venice Heat,” said the creator of the show T.J. Hoban

Check out the hilarious trailer for “Venice Heat”, courtesy of YouTube.com! NSFW!

An AmericasComedy.Com Interview

From homeless to headliner, Dat Phan knows what it means to work hard to achieve your goals. His story is another “American dream” come true for someone willing to put it all out there.

Phan, the youngest of 10 kids, started in Saigon, Vietnam, and landed in the ghettos of San Diego with his mother. There were times when they slept on bus benches.

“I credit my mom for keeping me out of gangs as a child,” Phan said. “My babysitter was Cox Cable, and it kept me off the streets.”

It was during this period that he was inspired by the celebrities he watched on TV.

“It was during the time that Michael Jackson was still black and awesome!”

This all was happening as the ghetto violence surged around him, and it propelled him to get out by any means and not look back.

“When you grow up poor, you have to either work really hard to try and get where you want to be, or you’ll just stay put,” he said.

Even though Phan took a drama class while in high school, he admits to being shy and introverted until after he graduated and enrolled in Grossmont Junior College in San Diego. After leaving school at 21, he decided to make his mark in the comedy world.

For the next seven years, Phan worked tirelessly at his trade as a starving artist, driving from one gig to the next, taking odd jobs, (he was once robbed at gunpoint while working as a doorman at the Improv in Irvine, Calif.), sleeping in his car or on friends’ couches.

All that time, he was working on his writing, graphing and charting each sentence and keeping his notebook with him because, as he said, “I was too poor for a laptop, and the notebook was all I had.”

“I’m still am very obsessed with my techniques as I am writing my material. I analyze where the beats are, the wording and how many syllables,” he continued. “Movies are never done without storyboards, timelines, formulas and equations. They are engineered for success. James Cameron didn’t make Avatar without a plan!”

In 2003, while no longer homeless, but renting a space so small that there was only room to sleep under his desk, he continued to pursue any opportunity that presented itself.

While living on cheap ramen and generic Red Bull, Phan scraped together enough money to send a demo in to NBC for an experimental reality show they were looking at. That experiment was the inauguration of “Last Comic Standing.”

After auditioning in person, he was chosen by the talent scouts for “The Tonight Show with Jay Leno” to be a part of the show, beating 2,000 other comics.

On the show, his obsession with verbal technique brought him ridicule from other comedians, as the nation watched more experienced comics like Ralphie May, Rich Vos and Dave Mordal verbally abuse and taunt Phan for his inexperience and his “Zen-like” approach to comedy.

Through it all, Phan kept his cool, and his technique proved them all wrong as he took the top prize in the show, beating each one of them week by week until he was crowned “Last Comic Standing.”

“Was the meanness depicted on the show accurate?” we wondered.

“If you are going to throw a steak (development deal), into the middle of a pack of wolves (comics) that are hungry, you are going to turn a lot of comedians into animals,” Phan said. “Stick all of them all in the same cage (house) for a month, and you get the madness that is a reality show.”

With the national primetime exposure the show provided, Phan landed a part in the Kim Basinger movie, “Cellular,” did voiceover work for “Family Guy” and began touring the country.

“That’s my movie claim to fame right now. Five minutes as the only Asian character in a movie full of Caucasians!”

Phan went on to be named by the Smithsonian as one of the “Top Ten Most Influential Vietnamese-Americans” and frequently assists Stanford University’s The Jade River Campaign, which provides research and assistance to Asian victims of hepatitis B and liver cancer. Phan’s mother suffers from a form of the disease.

“How’s life today?” we asked.

“Well, I am in a relationship now so my life is a lot more boring than before,” Phan replied. “I used to be the guy out on the hunt for girls – now I just hunt for Girl Scout cookies. How does it define you when you are trolling supermarkets for Girl Scouts like you are looking for your crack cocaine dealer?”

“Do you know ‘Flight of the Conchords?’ ” he responded when asked about his next projects. “I am trying to add the guitar to my act to accent the Asian material that I do.”

Going back to his technical and perfectionist outlook, Phan said, “If you look at music theory and comedy theory, they have a tendency to contradict each other on beats, counts and callbacks. Because of this, I am working with a team of people to get this right. It’s fun, and it has refreshed my enthusiasm for writing comedy as well.”

Will he be performing music at this Sacramento appearance?

“Not this time,” Phan said. “It just isn’t ready. I will, however, be slipping in some new comedy material. I am constantly trying to keep my act fresh.”

Phan has a DVD he recently released called “Dat Phan Live” and his first R-rated CD called “You Touch, You Buy!” Both are available on Phan’s website; www.DatPhan.Com.

Tim Heidecker and Eric Wareheim, from Cartoon Network’s “Tim and Eric Awesome Show, Great Job!” talked about their tour, the “holiday” Chrimbus, and their glittery outfits on Jimmy Kimmel Live.

The comedy duo made a grand entrance when they appeared in matching silver vests , bright yellow collared shirts, and shiny blue pants.

“We told your stage manager Josh you can ask us anything, expect for a question about our looks,” Eric Wareheim told Kimmel Wednesday night.

The “Tim and Eric Awesome Tour” will be in a span of 30 days in 30 different cities. Tim and Eric even demonstrated a few interesting stretches for Kimmel, including one where they hold each other close and breathe deeply.

Heidecker and Wareheim are anticipating celebrating the lunch holiday, “Chrimbus”   which is when the winter man comes into a cafeteria and inspects the “Chrimbus bush”

Watch Tim and Eric on Jimmy Kimmel Live!

http://www.youtube.com/watch?v=Kn7CT7ryvG8

http://www.youtube.com/watch?v=s7u31B-2lmw&feature=channel

Amazon.com Widgets

The show will carry the same name as their MTV series “Disaster Date,” a version of “Candid Camera” created by K-von, in which an actor goes on a blind date with an unsuspecting person.  Each episode usually has three dates, where the unwitting participant’s friends gives some information about the datees or “targets,” including the three things he or she hates in a relationship. The actors then take the victims out for date, incorporating the very three things their targets disdain.

K-von is known for his brand of comedy, “Hip-Hop Culture.” The Nevada native decided to follow his dream of making people laugh and became a regular in many comedy clubs of L.A. Keith began his stand-up career in 2003 and polished off his comedic skills at different venues all over California.

Comedian Pablo Francisco included Keith in his “Comedy Central” special, “Pablo Francisco: Ouch!”

Enjoy K-von adventurous comedy in a variety of media.

Watch K-Von On Disaster Date!

A multi-dimensional artist with entrepreneurial verve,  a love of humanity and a passion for gastronomy

Comedian Mark Christopher Lawrence is a multi-dimensional artist who has successes in television, movies, comedy and theater. He is probably most well-known for his role as “Big Mike,” the manager of the “Buy More” in the hit television series “Chuck” — or for his role as “Mix Master Tone-Def” in the movie, “Fear of a Black Hat.” He is a thespian, too, having played roles such as “Fezziwig” in “A Christmas Carol” and “Grazziano” in “The Merchant of Venice.”

And then, there’s Lawrence the entrepreneur. He co-founded the “Black Theater Artist’s Workshop” with partners Barry Shabak Henley and Tarabu Betserai Kirkland. Lawrence’s own company, “Prayer Dudz,” produces Gospel Comedy DVDs, with the first in the series, “Shout!,” fresh out of the oven.

Lawrence currently serves as vice president of “Moxie Theatre of Encinitas.” An “Associate Guest Artist in Residence” at University of California at San Diego’s (UCSD) “Thurgood Marshall College,” Lawrence helps bring an awareness to the college’s newly launched African-American Studies minor. An artist with great heart, Lawrence also contributes his time, talent and dollars to several charities.

Lawrence, the bon vivant, enjoys gourmet cuisine and has cooked ever since he was in high school. In fact, good cooking is part of his company’s business plan.

Recently, AmericasComedy.Com had the pleasure to become better acquainted with Mark Christopher Lawrence.

Hellishly hilarious, but so clean he can perform in church
Lawrence’s act is impeccably clean and hilarious . . . church and any-other-venue appropriate, proving that “vulgar” and “funny” aren’t interdependent or synonymous. He feels no pressure to alter his work.

“I do what I do,” says Lawrence.

And, it doesn’t matter just how “blue” his openers are. Lawrence keeps it clean.

Favorite projects to date
Lawrence’s talent is so diverse, that the projects closest to his heart are varied and for different reasons.

“‘Terminator II’ because it changed the way we watch movies — with those special effects. It really changed the world of special effects. And, ‘Fear of a Black Hat’ because it is the only thing I’ve ever done that I watch and I don’t sit there and go, ‘I should have done this’ or ‘I should have done it like that.’ I did the voice of Ed Washington in ‘Adventures in Odyssey,’ a radio drama, which is part of the ‘Focus on the Family’ series. I really enjoyed doing that just because of the family values. I think those are some of my favorite things.”

The demand to grow and improve
Continual growth is important to Lawrence, as well as the ability to respond to the unique demands of each night, which is why Lawrence’s first love is theater, with stand-up comedy finishing a close second.

“I like theater better than all of them because, as an actor, that’s where you really grow and you have the opportunity to get better every night. It’s different every night. A close second would be stand-up because you get sort of the same feeling, except for there’s that extra feeling that you have to be funny, whereas, in a play, there are so many variables involved. You don’t know what your fellow actors have gone through throughout the day or the audience has gone through throughout the day, and so the actors and the audience give you something different each time. As a comic, you’re up there by yourself and, no matter what you went through throughout the day, you’ve got to bring it. If you fail, it’s because you failed.”

Avoiding tragedy
Growing up in Compton, Calif. wasn’t easy. The Crips and the Bloods were actively growing and recruiting at the time. Lawrence credits his mom for giving him a strong foundation and his high school English teacher, Mrs. Schilling, for saving his life.

“There probably were about eighteen guys within a year of my age either side, and of those eighteen guys, three of us are doing well. The rest are dead, in jail or hooked on crack.”

A strong mom
“My mother is clearly a very strong person. Growing up, she was very no-nonsense. She was a single mother with three kids who worked hard. She worked at ‘Douglas Aircraft’ in my younger years. And, she really instilled in us values (today, there is a lot of non-parenting going on). Given her challenges, she was able to give us the foundation we needed to make some good decisions in life. To this day, I talk to her when I have a problem. I can call her and talk things out with her. That’s great. My mother’s a very strong Christian woman and I think that plays a lot into the way I was raised.”

“Mrs. Schilling saved my life.”
Mrs. Schilling was Lawrence’s high school English teacher who continually pushed him to demand more of himself and to try new things. When asked to paint a word-picture of Mrs. Schilling, Lawrence waxed poetic. He responded that Mrs. Schilling was “Phyllis Diller-esque” — her hair was “always kind of wild” and so was her personality. Misty-eyed, Lawrence described her with the following syncopation:

Life-changing.

Caring.

Beautiful.

Accepting.

Thoughtful.

Treasure.

“I think of Mrs. Schilling and I think about where I am. It would have been so easy for me to get involved in the wrong things growing up, because I grew up in a really tough neighborhood. She gave me something else to do. My first play she talked me into doing.”

“I truly believe that, had I not met her, there’s a great possibility I’d be dead today. She changed my life and saved it. Even though my mother was really a strong-souled person, the people I was hanging around with at that time when I met Mrs. Schilling clearly were bad influences. I grew up on the street in Compton called Killenplace, strangely enough. And Mrs. Schilling changed my life.”

“I was like the dumbest guy in the toughest English class in my school. My two best friends who I hung out with on the football team and on the wrestling team in high school said, ‘How did you get into that English class? What are you doing in there?’ I said, ‘I’m surviving.’ And that’s where I met Mrs. Schilling.”

“All of a sudden, I didn’t have a fifth period class and she talked me into coming to her fifth period class, which was speech. Once I got in there, she said, ‘Oh, you can’t pass this class unless you go to tournaments.’ I went to a speech tournament and got hooked. I loved it. I was terrified. I was doing a ten-minute speech in about four-minutes and thirty-eight seconds. But I clearly relished in it and ended up with a scholarship to UCSD from it. I love her!”

Practicing in the backyard
Lawrence’s best friend in high school and he decided to do comedy as a duo. They practiced their comedy routine in his backyard. One night, they decided that they were ready to do their three-minute bit on stage at “The Comedy Store.”

“So, we stood in line at ‘The Comedy Store’ in Hollywood and got on at midnight. We had some friends that were there and we were funny.”

Bitten by the comedy bug
Lawrence had been seriously bitten by the comedy bug by the time college rolled around. He attended UCSD on a debate scholarship, but debated only one semester, just long enough to fulfill the requirements of the scholarship. Lawrence’s focus was on competing in individual events — speech to entertain (which is stand-up with a message) and oral interpretation of literature — in which he excelled. Lawrence’s good friend Lester Barry, who is now a minister and a stand-up comic, and he performed at open mics.

“We would split the money, if one of us was in the money, just to help supplement . . . eating. I started working professionally as an actor in 1984, while I was still at UCSD.”

Making it work . . . step by step
After Lawrence graduated from college, he went to work with the “San Francisco Mime Troupe.” When that gig was over, he didn’t have a job. So, he began pursuing comedy on a regular basis.

“I was like, ‘Okay, I can make this work.’ Just how? So I went back to San Francisco where they were doing the ‘San Francisco Comedy Competition’ and I made it to semi-finals. And that made me go, ‘Okay, I can be a professional comedian because I’m in the semi-finals.’”

An act is born
Every week, Lawrence did a five-minute bit on “Dare to Laugh,” a cable television show. The director wanted Lawrence to do his bit in a show in Tacoma, Wash.

“So, on the plane, she said to me, ‘By the way, Speedy couldn’t come, so I need you to do a half-hour.’ And so I took out a business card and started writing down all my little five-minute bits. I just stared at that all the way, because now I’m terrified. I get there and I do thirty-seven minutes. I had a great set and, when I came off stage, I said to myself, ‘Wow! I have an act.’”

Shortly after the Tacoma gig, “Comedy Isle” had a competition in which Lawrence participated. From that, Lawrence got a two-week booking, his first. Within a year, Lawrence was headlining.

Writing it down
Lawrence jots down ideas for jokes everyday. When something strikes him, he writes it down.

“Sometimes, I’ll go back and a nice bit will come out of it. Other times, I’ll go back and and go, ‘What was I thinking about? What was that supposed to be?’ But I was talking with Scott Wood, who is a Christian comic, and he maps out time everyday to sit down and write. But he writes one-liners, so it’s easy to map out time to do it that way. I sort of tell stories, so I have to wait for things to come to me and then stretch them. And then, what happened? And then what happened? And then what happened?”

Structured, but not verbatim
Lawrence writes the joke out completely, but he doesn’t rehearse it. He writes it out so he knows “exactly what it is.” When he puts the joke on stage, he doesn’t try to say it verbatim.

“It’s not important to me that it comes out verbatim. Just the set-up and the punch need to be verbatim, usually. But, most of the time, if I try to do it verbatim, it sounds rehearsed. I write it out, just in case there’s something that comes out of that writing process that’s really brilliant and I go, ‘Whoa, that’s really good. I have to make sure that I say this part every time.’ And, also, I write it out so I know where it is. Often, when I get on stage and start talking, better stuff comes out.”

Advice for young comics
People often ask Lawrence what advice he’d give to a young comic.

“I always say this, ‘Know what you’re going to say because, especially, when you’re very new at it, if you don’t know what you’re going to say, you’re not going to be funny — even if you’re funny around your friends. You need to know what you’re going to say.’ That’s why I write the thing out and, hopefully, make it funnier.”

Sometimes poems just happen
Lawrence writes poetry, although he does not consider himself a poet. When questioned further as to how his poems are born, he replied, “I don’t know. Every once in awhile, something will just pop out of my head. Like I was on the train one day, and I kept passing by these little mile marker things that you could see from the train — and it kind of looked like headstones to me. I just started writing words down and when I finished, it was this little, short poem about a graveyard. So things just kind of pop into my head. I don’t think I’ve ever sat down and said, ‘I’m going to write a poem today about such-and-such.’ I don’t think I’ve ever done that.”

What’s cookin’?
Lawrence discovered that he could cook in the eleventh grade, when his mother was cooking Thanksgiving dinner and her back went out. Lawrence finished dinner for about twenty people, asking his mom throughout the process, “What do I do now?”

“Really, my mother was very practical in that every time — I was the baby, my brother was six years older — every time she taught him to do something, we all learned it. When my brother was learning to cook, we were all learning to cook. My brother was taught to do the laundry, we all learned to do the laundry.”

By the time Lawrence was in college, he was well-adept in the kitchen. Plus, Lawrence was always in the kitchen watching the cooks at the restaurants where he worked as a waiter and bartender.

“. . . People knew I could cook and they would buy food and I’d cook and we’d have dinner at my house and I could keep some leftovers. Now I’m at a point where, when I go to places and I taste something I like, I go home and make it. So, no formal training as a chef, but it’s one of those natural things. If I decided that that was the way I wanted to go, it would be an easy transition. I actually have an element in my business plan that opens a restaurant at the theater where I shot ‘Shout!’”

A bigger place to be
Lawrence has successfully designed his company to be diverse enough to create as many opportunities to work in as many different media and venues as possible, but his brand isn’t as well known as he’d like yet.

“I think as a comic, there’s a bigger place I can be with a bigger following. My swagger is really strong right now. Now is the time to really focus on building a following and getting to that place where ‘Mark Christopher Lawrence’ as a brand becomes recognizable, so that I can do an arena or a very large theater. That’s what I’m working for. I’d like to be next level all across the board.”

After making people laugh off stage for years, Kabir “Kabeezy” Singh decided it was time to share his gift of comedy with the world. This class clown finally gave in to years of pressure from friends and strangers alike to hit the stage- and it was on!

Born in Portland Oregon, and now the tender age of 24, Kabeezy has performed at some of the most prestigious and sought after clubs in California, including The Laugh Factory (Sunset, LA), Cobb’s Comedy Club, San Jose Improv and is a regular at Tommy T’s Comedy Club.

He has opened for some of the biggest comics in the world like Mark Curry and comedy legend Bobby Slayton. Kabeezy has also performed in colleges all around Cali like UC Irvine, San Jose State, Stanford and at Berkeley for over 2,000 people. After only one year in the comedy game from May 08 to May 09 Kabeezy has done all of this including being a finalist in the 2008 San Jose Improv Competition and winning the 2009 Rooster T. Feathers Competition, beating out over 160 Bay Area comics. He is also part of the Pundits With Punchline Tour.

Click Here For Reservations and to Buy Tickets!

Tell Them You Saw It On AmericasComedy.com!

Click Here To Watch Kabeezy’s Video!

There is a back-story to Williams’ relationship with Australians and some Australians’ concept of Americans in the Southern U.S. Basically, Williams offended Australians and an Australian offended the South.

Earlier this year on the “Late Show with David Letterman,” Williams joked that Australian’s are “basically English rednecks.” This miffed Australians to no end. Australia’s Former Prime Minister Kevin Rudd shot back that Williams should “spend a bit of time in Alabama” before calling other people rednecks. Rudd’s comment sparked anger in America’s southern states.

“That was pretty bizarre. I was like: Wow! I’ve started an international incident! I don’t want to cause a war between Alabama and Australia – please no! I was talking about the accent, not talking about a state of mind.” HeraldSun.com.au

“Weapons of Self Destruction” has played more than 100 cities in the US, Canada and the UK during 2008 and 2009, with tickets frequently selling out in a matter of minutes. The tour had to be temporarily postponed in March last year while the comedian underwent heart surgery.

An HBO broadcast of “Weapons of Self Destruction,” recorded in Washington last year, has been nominated for three Emmy awards.

Click Here To Watch Robin’s Weapon’s of Self Destruction video on YouTube!

Also Appearing: Kool Bubba Ice

Actor/Comedian Alex Thomas was born in Los Angeles, California. He grew up with a musical background. His mother a classical pianist and his father, Alexander Sr., was a member of one of the greatest band in R&B history, Earth, Wind, and Fire. Because of Alex’s height and size, sports did not work out in his favor. So, growing up in the ‘hood, the only other alternative was telling jokes. He was the Class Clown from Kindergarten until he graduated the 12th grade.

Right after high school, he landed his first job in the entertainment business on the hit comedy show, In Living Color. I guess you can say, Alex went from high school straight to the pros. Believe it or not, he wasn’t hired as a comedian or an actor; but as a dance choreographer for the infamous Fly Girls.

It was on the set of In Living Color, where he met Keenan Ivory Wayans and Damon Wayans, that he was persuaded by the family to pursue a career as a stand up comedian, and the rest is history. Two years later, Will Smith found Alex Thomas performing at the world famous Laugh Factory Comedy Club in Hollywood, California. Smith hired Alex immediately as a writer on his hit sitcom, The Fresh Prince of Bel-Air, where he wrote for the show for three seasons.

As a stand-up comedian, Alex has starred in two 1- hour comedy specials “Straight Clownin’” (SHOWTIME) and “Alex Thomas Live” (BET). Alex has opened up for such stars as: Sinbad, Jamie Foxx, Mark Curry, Damon Wayans, and Bill Cosby. Stand-up comedy has lead Alex to many television and film roles. Alex played a sidekick role to Jamie Foxx on the hit sitcom The Jamie Foxx Show for three seasons. He has also guest starred on other hit sitcoms, such as: Martin (Fox), Girlfriends (UPN), The Wayans Brothers (WB), Moesha (UPN), The Parkers (UPN), and All of US (UPN).

Alex has also done several re-occurring character roles on hit animated series such as: Batman Beyond, King of the Hill, and Family Guy. Alex has also appeared on several talk shows, including: The Best Damn Sports Show Period (FOX), Jay Leno (NBC), and Premium Blend (Comedy Central). In addition, he has appeared in hit films, such as: The Players Club, Two Can Play That Game, Just Married, BAPS, and The Wash, to name a few. Alex is also well known in the hip-hop world from performing in several hit music videos and also several skits on Platinum-selling albums by artists such as: Kanye West, P.Diddy, Snoop Dogg, 50 cent, and Bow Wow.

Complementing his entertainment background, Alex is also an avid 13-handicap golfer. He has played on some of the greatest courses in the world from Pebble Beach to St. Andrews. Golf has opened many doors for Alex as he has hosted and played in several celebrity golf tournaments, including: Hall of Famers like: Magic Johnson, Eric Dickerson, and Tony Dorsett. Also, he has played in other celebrity tournaments with George Lopez, Samuel L. Jackson, Will Smith, Nick Van Exel, Antoine Walker, and Alonzo Mourning.

Click here for Reservations and to buy tickets!

Tell them you saw it on AmericasComedy.Com!

Click Here To Watch Alex’s Video! NSFW!

September 28 th For One Night Only!

Non-Profit Comedy is a mostly political comedy show where each show benefits a worthy non-profit organization.

This show benefits PRIDE FOUNDATION.

Pride Foundation inspires a culture of generosity that connects and strengthens Northwest organizations, leaders, and students who are creating LGBTQ equality.

Pride Foundation envisions a world that honors diversity, fosters mutual respect, and celebrates complete equality.

Often political and always hilarious, Non-Profit Comedy has been been featured in the Seattle P-I and has raised well over $30,000 for worthy non-profits.

For more information on Non-Profit Comedy, visit: www.nonprofitcomedy.com

Click Here For Reservations and to Buy Tickets!

Tell Them You Saw It On Americascomedy.com!!